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Contrary to popular belief, there’s nothing wrong with boosting EQ bands. Alternatively, you can boost frequencies from one element to rise above the frequencies of other elements. By cutting certain frequencies from one element, you provide more room for another element. If there are too many elements in your song that all live prominently within the same frequency range, you can end up with a “muddy” mix. It allows you to control the gain level of different frequency ranges, known as bands.ĮQs can be used to fit different elements of your song together like puzzle pieces. EQ EightĪn EQ is one of the most potent mixing tools at your disposal, and it’s one of the most frequently used tools in my mixing arsenal. In certain situations, the mix may call for a completely unique processing device, but for the most part, these 5 tools will get you from point A to point B without a hitch. You can take an adequately recorded, arranged, and balanced song from 80% complete to 95% complete with the following mixing tools. As the old saying goes, “Shit goes in, shit comes out.” Sometimes it doesn’t matter how skilled you are as an engineer if the material you’ve been handed is mangled beyond repair.įor the most part, if you’ve recorded exceptional quality audio, you won’t be forced to do much devil magic when it comes to mixing. It’s not unheard of to tell a client that they need to re-record something. This doesn’t necessarily mean that you aren’t good at mixing, it just means that there are recording issues that need to be addressed at a recording level and not a mix level. You sometimes end up having to reach deep down into your bag of tricks to find a solution to an unrelenting client’s mix issue this is where your mixing tools come into play.Ī poorly recorded song is going to be a nightmare to try and mix, and a big reason why you may doubt your mixing ability is because you’re unknowingly working with unusable content. If you’ve ever tried to mix someone else’s song before, you’ve likely realized that issues that could easily be fixed by choosing a different sound or modifying the arrangement, are no longer easy fixes because the client may not want to change anything. Working as an audio engineer requires a set of skills, and tools, that are well beyond the scope of many music producers and musicians.
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I think it’s actually beneficial to mix as you produce, and as a producer, you have the massive advantage of having full control over your sound selection and arrangement this will allow you to achieve a quality mix regardless of your mixing ability. There’s a lot of confusion over what constitutes “mixing.” People often mix as they produce, so there’s not always that distinction between the production and mixing process.